The Role of Tragedy in Early Greek Legacy Essay Example for Free

The Role of Tragedy in Early Greek Legacy Essay Tragedies have been a big and important part of Greek culture and history. Greek tragedies are dramas performed before a large audience, usually during festivities of gods, that narrate the story of a hero and all the unusual challenges and sufferings that he has to go through in order to achieve something or learn an important lesson. Tragedies usually have complex plots wherein disasters happen one after the other and their resolutions reveal important lessons or realizations. These dramas have apparently started around the 5th century BCE, a pivotal time in Greek history that also marked a lot of their other contributions like democracy. Thespis, known as the father of drama, introduced the idea of one actor acting on stage that started the flourishing of tragic dramas (â€Å"Greek Tragic Drama†). Later on, three masters of tragedy emerged namely Aeschylus, Sophocles, and Euripides. Many of the tragedies that have survived from their time were written by these men who made Greek tragedies a real part of literature. But tragedies are not merely stories popularized just to be performed before an audience. Tragedies serve as an important expression of culture and creativity of Greek society. They are well supported by the Greek society because tragedies serve as means of reminding the Greeks of the moral lessons values that their culture upholds and believes in. The arrival of tragedies was in Greece was a very significant timing in history because it was around the time when Greek culture gaining momentum and flourishing. The â€Å"great surge in creativity catalyzed the concept of the Greek tragedy† (Reed 1). It encouraged the creation of dramas with crucial themes by presenting them as one of the highlights of festivities. A tragedy usually â€Å"depicts the downfall of a noble hero or heroine, usually through some combination of hubris, fate, and the will of the gods† (â€Å"Tragedy: the Basics†). Heroes are great men and women but remains imperfect humans capable of doing good and committing mistakes. They are not totally good nor totally bad, but they are usually prominent or greater than other people around them. They are also packaged as people destined to experience big transformations in their lives. Tragedies became avenues for the creative minds of playwrights to let their imagination and talent out. In the Greek society, tragedies also function as â€Å"lessons in behavior† because of the way they incorporate moral teachings into the changes of the lives of the heroes (Reed 1). The trials, successes, failures, and losses that the heroes experience serve as effective teaching tools for the Greeks. Tragedies convey different realities and some of the most common themes they present are that â€Å"actions do not go unpunished, and the gods work in mysterious – an often ironic – ways† (Reed 2). Since the characters of tragedies are not always perfectly virtuous, they are given certain tasks that challenge and influence the actions they take in their lives. The twists in the plots also give constant reminder of the intertwined quality of human life and the power of the wills of the gods. Tragedies function as manifestations of the reality that life is never perfect for men. They also serve as reminders for Greeks of the different experiences that could possibly happen to a human person, giving them idea what path should one take and what should be avoided. Tragedies are very easy to appreciate despite having heavy themes because they deal with specific instances of life. They revolve around adventures in families, in battles, and in religion. Tragedies usually follow relationships of people with others and with their gods as guides for their plots. Divine presence in everything in this world is a very significant character of Greek culture and many tragedies highlight the importance of faith in ones daily life. Tragedies are very important to the Greek society because they give lessons about virtue and warnings how people should live their life morally by using immense disasters that complicate a heros life. It is not easy being a hero in a Greek tragedy although â€Å"the hero need not die at the end, but he or she must undergo a change in fortune† in order to understand and live out the the different virtues of the Greek society (â€Å"Tragedy: the Basics†). The goal of every tragedy is to make the audience see what may come out with good values and what are the probable tragic events for every mistake or wrong action. These are specific warnings or reminders about life, about the use of power, and about morality as a part of everyday life. â€Å"Greek tragedies speak volumes about the lives of those dwelling in this ancient society† (Reed 3). They are representations of what was the culture of Greece in its early years. Through their plots, their characters, and the ideals incorporated in their stories, tragedies are able to preserve the culture and beliefs that the Greeks have. Tragedies have a unique way of teaching and passing on knowledge to people through the presentations on the stage. The Greeks â€Å"responded so well to this approach because their core values are being addressed in a way that enables everyone to participate† (Reed 3). Performed art was very close to the hearts of this creative and rich nation. â€Å"Classic Greek drama was a community art, not a business venture† and the dramatists are regarded with high importance in their society (â€Å"Greek Tragic Drama†). Tragedies serve the effective purpose of educating people about examples of moral actions, cleansing of souls, and other related religious and virtuous beliefs. Another significance of these tragedies is that they bind the Greeks together as one society. Tragedies are affairs that serve as a â€Å"community gathering largely sponsored by the government†(Reed 1). Presentations usually take a form of contests and have emerged to become annual events in Ancient Greece. Large venues are allotted for them because â€Å"performance of tragedies fostered a sense of community amongst the Greek people†and every citizen in the society are expected to witness them. Therefore, performances of tragedies gather thousands of people together to performances that entertain and educate, effectively passing on of political and religious messages promoted in Greek culture. Although very entertaining and usually presented in festivals, tragedies were not intended only for entertainment purposes only for they also unit the Greeks as one community. â€Å"With so many individuals, ranging from prominent politicians to peasants, a tragedy was something all people could share† (Reed 3). In a theater where tragedies are performed, people from different classes, educated or not educated, men and women, are all given the chance to appreciate and witness the tragic dramas. And through these events, people learn more about the roles of their government, their communities, and their religion in their lives. Tragedies are considered very important and significant in Greek society. Indeed, they are capable of making people more responsible in their roles in their communities and more respectful of their gods. Greek tragedies are also expressions of devotion to their gods because they describe the important role that gods play in the lives of humans. Today, a lot of tragedies still prevails and recognized as some of the most important contributions of the Greek civilization to people. They were elaborately supported by the Greek society because of the benefits they were able to share in making their community educated, prosperous, and peaceful. Tragedies usually challenge ideas of too much pride, injustice, foolishness, and other human flaws. They encourage knowledge and moral living. Tragedies present frank and definite examples of what happen to people who question the powers of gods or the intentions of the government. Because of this, they are able to nurture a citizenship well aware of the purpose and significance of their culture. Works Cited â€Å"Greek Tragic Drama. † Memphis University School. n. d. Web. 20 July, 2010. Retrieved from http://faculty. musowls. org/Sheltont/Literature/HO(gtd). htm. Reed, Sloane. â€Å"The Critical Role Greek Tragedies Played in Greek Society. † Associated Content. com 13 Nov. 2008. Web. 20 July 2010. Retrieved from http://www. associatedcontent. com/article/1180307/the_critical_role_greek_tragedies_played_pg3. html? cat=37. â€Å"Tragedy: the Basics. † Grand Valley State University. 2008. Web. 20 July 2010. Retrieved

Self-reliance Essay -- essays research papers

1. The essay that I elected to read and analyze was "Self-Reliance" by Ralph Waldo Emerson. 2. The Transcendental Movement held a strong opinion that one should have complete faith in oneself. Emerson, being an avid transcendentalist, believed in this philosophy. He supported this concept that we should rely on our own intuition and beliefs. "Trust thyself: every heart vibrates to that iron string." Emerson, along with the Transcendental Movement, believed in the vitality of self-reliance. One must have confidence and belief in oneself. "†¦the only right is what is after my constitution; the only wrong what is against it." Once one has reliance upon oneself, he can generate his own set of ideals and morals, not just the ideals bestowed upon him by society. In obeying these principles of life, he has created a constitution of his own. This constitution is the guiding light of his life; it leads the way to truth and ultimate liberation and provides the right path to follow. This idea brings about the transcendental concept of the belief in the worth of the individual. The individual, in transcendental philosophy, has the power to accomplish anything and everything. Social organization and friendship offer a small satisfaction of companionship and structure in life, but one will ultimately succeed based upon his own skills and conviction. In doing so, he will lose interest in the society and concentrate on more individual dependency as he strives to gain ultimate truth in life. "What I must do is all that concerns me, not what the people think." Once one considers less the social ramifications of his actions and considers more the personal consequences, he will become more apt to discover what he is looking for; in the transcendentalists’ case, it was the meaning of life. 3. a). "To be great is to be misunderstood." This statement was used by Emerson to explain the lagging growth of the conception of ideas and thought of his generation. Original and novel ideas were and still are scorned by those who believe that the best method for learning is repetition and memorization. When one comes up with a groundbreaking idea, it is generally disregarded because so-called "experts" do not agree with it. This is because soci... ...ing is uncomfortable, we should leave. Conformity with society has disabled this aspect of human nature, and I feel that it is something that needs to be addressed. 4. We should not conform to the preconceived laws of society. When we dislike something, we should not hesitate to be different and oppose. Believe in the power of the individual, and learn to depend on yourself, in order to achieve greatness. 5. In reading this essay, I saw many viewpoints on life that I have never seen before. They are opinions that are different from what is normal, and they are sometimes abrupt and shocking. Some of the opinions are opinions that I can relate with; others were completely out of the ballpark. I was surprised, and a little excited to read many of the philosophies that Emerson held to be the great truths of this world. Emerson had many ideas that can benefit the world today; they can help societies evolve into better places for people to live. They also provide a call for humans to evolve from conforming automatons to individuals who do and say what they feel. These thought that Emerson conveyed moved me and made me realize how precious our free will and judgement are.

Film & Ideology †Milk Essay

The definition of the word ideology can be represented in many ways. Today’s basic understanding of the word can be defined as â€Å"the body of ideas reflecting the social needs and aspirations of an individual, group, class, or culture† (Farlex, 2009). Gus Van Sant’s exceptional biopic Milk (Gus Van Sant, 2008) depicts the story of Harvey Milk, the slain gay-rights activist who became the first openly gay man elected to any substantial political office in the history of the planet. Harvey Milk’s life changed history – his courage still motivates people today, his ideals still teach people today and his hope still inspire people today. The release of Milk in 2008 has helped to bring back a new sense of appreciation for the hope and passion that Harvey Milk died for. Milk beautifully shows the fights and struggles Harvey Milk had to go through to gain the trust of the people and in order for his ideologies of a brighter tomorrow for all queer people to be fully appreciated by everyone. Harvey Milk was an individual who did not die in vain; his efforts in fighting for gay rights left a lasting impact on the people of this planet and his hope still lives on to this day. Simply put Harvey Milk’s ideology of fighting on and instilling hope in the fight for gay rights when no one else would, immortalized him – â€Å"Without hope, life’s not worth living† (Milk, 2008) It is now June 7th 1977, the sun has set on the Castro district of San Francisco, and the crowd that has gathered in the street outside Harvey Milk’s camera shop is becoming more and more, impatient and angry. We know watching that the reason that everyone is angry is due to the reports about voters in Dade County, Florida, having voted to overturn a local gay-rights ordinance, giving momentum to a backlash whose most visible public face belongs to Anita Bryant. We know we have reached the climax of the movie. So much is happening all at once in the life of Harvey Milk that you wonder how he has not yet lost his head. His impish upbeat attitude and overly positive optimism in the face of multiplying frustrations makes you look up in awe at the wonderment that is Harvey Milk. The gay residents of the Castro are angry and looking to Harvey for leadership. Though not yet elected to office and having lost 3 years consecutively, Harvey rises to the occasion and leads the angry crowd to city hall where he picks up a bullhorn and address the crowd in a way only Harvey Milk can – turning an angry mob on the verge of a violent riot to a enthusiastic mass willing to fight for their rights the proper way. In the space of a few minutes Harvey goes from a whisper to a shout, from an intimate message of consolation and support to a defiant public speech. Milk shows us that it is these moments, these distinct modes of address, are connected, and that the link between them is what defines Harvey Milk’s aspirations and ideals. According to Dr. Harry M. Benshoff, an associate professor of Radio, Television, and Film at the University of North Texas, queer theorist focus on how sexuality was and is a product of culture, not some sort of biological given. In Milk it is clearly stressed that Harvey too did not believe that homosexuality was a genetic disease. In the scene of the 1977 June 7th march, just before he leaves the store to lead the mob to city hall, Harvey answers the telephone only to be greeted by a scared and confused teenager whose parents believe him to be ill because he is gay. Harvey’s disregard of homosexuality as a genetic disorder is abundantly clear in this scene when he reassures the teenage boy that he isn’t ill and that being gay is perfectly normal. Dr. Benshoff goes on to day that following the work of Alfred Kinsey and Sigmund Freud, queer theorists argue that human sexuality—or indeed, race, gender, class, etc. —are not either/or propositions, but are rather fluid and dynamic socially-defined positions. To suggest that there is one norm (straight white man on top sex for procreation and nothing else) is grossly misleading and only serves to foster rule by the same and persecution of everything else. Throughout Milk we can see that Harvey, though a very passionate gay-rights activist, is not only looking out for the queer folk. He holds dear to the ideal that everyone is equal. In a way he embodies what Kinsey and Freud say. He did not believe in just one norm. In his fight for gay-rights he isn’t trying to one-up the vast heterosexual majority by over throwing them and getting homosexuals to run the world, he is merely trying to get them to see that homosexuals are no different from any other person. Harvey Milk was trying to break down the social barriers that led to narrow minded thinking of just one social norm. In Milk during one of the public rally’s he had, Harvey said that â€Å"all men are created equal. No matter how hard you try, you can never erase those words† – he believed these words with all his heart. To Harvey Milk, he wasn’t just fighting for gay-rights; he was fighting for a way of life that did not constrict its citizens to conform to just one social norm. Milk, Gus Van Sant’s film project that was close to two decades in the making, was released on the 26th of November 2008 and marks the 30th anniversary of Harvey Milk’s death and the brief but brilliant political career he led. Harvey Milk was unfortunately gunned down on November 27th 1978, three weeks after his biggest political victory. The San Francisco city supervisor had been in office less than a year when he spearheaded a statewide campaign to defeat Proposition 6, a ballot initiative that called for the mandatory firing of gay teachers in California. Milk however arrived in theaters three weeks after the biggest political setback the American gay rights movement has suffered in years: the passage of Proposition 8, which reversed the California Supreme Court ruling that legalized same-sex marriage. As untimely as the events that unfolded prior to the theatrical release of Milk, it begs the question on how did Proposition 8 change the meaning—the symbolic and ideological significance as well as the real-world function—of Gus Van Sant’s Milk. The passing of proposition 8 transformed Milk from a delicate, serious-minded period biopic that was directed by the brilliant Gus Van Sant into something much more urgent. Milk was suddenly this shinning beacon of hope that reinstated the hope and passion that was Harvey Milk into today’s gay-rights activist. There are some moments in the film that in retrospect seem as though it is speaking directly to the audience of the present. As the Proposition 6 results start to roll in, Harvey tells his followers: â€Å"If this thing passes, fight the hell back. † Those eight words speak volumes to the people who are fighting against the proposition 6 of today, proposition 8. â€Å"Somehow, when 8 passed, something else happened that was even more intense than the campaign, which is good. It was an inspiring reaction that showed strength to the people who were against Prop 8. So yeah, it seems to have an effect on something that’s similar to it: Prop. 6, that appears in our movie†, Milk director Gus Van Sant was quoted during an interview with IFC. com. The activist understood the message Harvey Milk stood for in the day, and opted not to let his valiant efforts go to waste. To judge from the numerous rallies that have sprung up across the country since Prop 8 passed, many gays and lesbians are doing just that, refusing to go down without a fight. Gay rights advocates have been quoted saying that they hope to capitalize on Milk’s fortuitous topicality. The film’s Oscar winning screenwriter, Dustin Lance Black, and veteran activist Cleve Jones published a manifesto for equality in the San Francisco Chronicle on November 14th 2008 and launched a nationwide campaign of mass protests and civil disobedience. The endnote of their manifesto read, â€Å"Remember always, and reflect in all your actions, that we are not fighting against anyone, or anything. We are struggling for equality†. Harvey Milk was the one that picked up the flag when no one else would. He was the one that led the suppressed minority on to recognition and acceptance. All who wear his badge, or speak his words, or hold strong to his ideals, keep him alive. Milk managed to revitalize Harvey and in a strange twilight zone sort of way enlisted today’s newly radicalized generation to find their figurehead in the movie-hero version of a long-dead hero. In Milk we see that Harvey’s main arsenal in his fight for equality was that he rejected secrecy and shame in favor of openness and visibility. He insisted that the fight against homophobia begins with the act of coming out – â€Å"If they know us, they don’t vote against us†. Harvey Milk realized this earlier than many of his contemporaries. He understood that in order to gain true equality gays and lesbians should serve as their own civil advocated instead of merely relying on pacts and promises made with their straight allies in high and powerful places. Though he was seen as a radical at the time, in retrospect Harvey Milk is an optimist, an idealist, a true believer in the possibilities of American democracy. Gus Van Sant understood where Harvey was coming from with his ‘come out of the closet ideology’. In the interview with IFC. com Gus Van Sant sheds some light on the ideology and how it affected him. â€Å"It was Harvey’s one idea that would have worked and probably did help the â€Å"No on Proposition 6† campaign†¦ultimately, it’s an interesting concept, and that was the way he thought had a huge effect on Proposition 6. If it’s not an unknown, it’s not scary. If it’s a known, it’s friendly and you understand, ‘Oh that person that I know is gay, and this other person I know is gay’. That’s partly how it works†. The openly gay Hollywood director went on to say, â€Å"But people did come out. It was his drive to just come out of the closet, lock the closet, and stay out, which was followed by many people. And really, it was his death request. If a bullet should enter his brain, may it knock down every closet door — that was his last request, his will, which probably extended to many people, including me, because I came out after he was killed†. This is just one of the millions of example on how Harvey Milk’s ideals and aspiration for equality for homosexuals touched and affected the lives of many closeted ones. Milk’s screenwriter Dustin Lance Black was quick to praise Harvey Milk’s ‘come out of the closet’ ideal a really good solution to a problem that tons of people had diagnosed but had yet to offer any answers to in an interview with ABC Radio. In the same interview he said, â€Å"In the years that Harvey put that into place, that sort of philosophy into the campaign, he won an election and a month later he was able to defeat one of the biggest, most popular anti-gay pieces of legislation in our country. He was able to defeat it, very unexpectedly, with that philosophy†. The recent anti-Prop 8 movement however seemed to embrace the opposite tactic. It was a closeted campaign, devoid of a public face, largely dependent on straight spokespeople, and run with a wary defensiveness that would have driven Harvey Milk mad. The story and context of Milk, and of the times in which Harvey Milk lived and led, make clear the continuation of this struggle we still find ourselves in. As soon as you lose a battle, another one looms before, giving you another opportunity to try to win. You win a battle, and before you can catch your breath, another struggle is on the horizon. We fall down only to pick ourselves back up again. Nothing about progress allows for much in the way of rest, but nor does it allow for much to remain stagnant. Harvey Milk’s thoughts were ones that changed the world. His thoughts turned into full out ideologies and his ideologies in turn morphed into a revolution. The ever brilliant Gus Van Sant who has a certain knack for merging the lines between now and then delivers to us a biopic that brings back to life its subject. In the post-proposition 8 viewing of this film, we can now see the rise of a new generation of activist – ones that have been instilled with a new sense of hope. Just as Harvey Milk’s assassination, which he repeatedly foretold, has meant that he remains frozen in time as a martyr, the Proposition 8 result has, for now, has redefined Milk as a cause. Gus Van Sant’s 20 year long journey of bringing to life this culturally epic subject has cemented Harvey Milk’s position as an ideological leader. â€Å"Lives of great men all remind us; we can make our lives sublime, and, departing, leave behind us, footprints on the sands of time† (Longfellow, 1838). Harvey Milk’s footprints would have never been forgotten, but Milk has in a way reaffirmed this stand. Gus Van Sant brought about a hero that was long gone and risen him from six feet under to be celebrated again as if he was never gone. Harvey Milk believed in one thing above all else and that was hope, Gus Van Sant brought back that hope. â€Å"I ask this†¦ If there should be an assassination, I would hope that five, ten, one hundred, a thousand would rise. I would like to see every gay lawyer, every gay architect ‘come out’ – If a bullet should enter my brain, let that bullet destroy every closet door†¦ And that’s all. I ask for the movement to continue. Because it’s not about personal gain, not about ego, not about power†¦ it’s about the â€Å"us’s† out there. Not only gays, but the Blacks, the Asians, the disabled, the seniors, the us’s. Without hope, the us’s give up – I know you cannot live on hope alone, but without it, life is not worth living. So you, and you, and you†¦ You gotta give em’ hope†¦ you gotta give em’ hope. †, were the last lines of Milk. (2435 words). References: 1. Black, D. L. (2008) Interview with Dustin Lance Black, writer, ‘Milk’, viewed May 2009, 2. Doty, A. (1998) The Oxford Guide To Film Studies: Queer Theory, Oxford University Press Inc, New York 3. Dr. Benshoff, H. M. (2006) Notes on Gay History/Queer Theory/Queer Film, viewed May 2009, < http://www. unt. edu/ally/queerfilm. html> 4. Milk, 2008. Film. Directed by Gus Van SANT. USA: Focus Features 5. Sant, G. V. (2008) Interview: Gus Van Sant on â€Å"Milk†, viewed May 2009, < http://www. ifc. com/news/2008/11/gus-van-sant-on-milk. php> 6. TheFreeOnlineDictionary. Com By Farlex (2000) The American Heritage Dictionary of the English Language, Houghton Mifflin Company, Boston.

Analysis of Mountain Sound in the Context of Journeys

Journey Portfolio Mountain Sound Of Monsters and Men Song September 2nd, 2012 â€Å"Mountain Sound† is a song performed by Icelandic indie pop band Of Monsters and Men which was released as a second single from their debut studio album â€Å"My Head is An Animal.† Written by Arnar Rà ³senkranz, Nanna Bryndà ­s Hilmarsdà ³ttir and Ragnar Þà ³rhallsson, it tells the story of a character who commits a crime or action that opposes the values and cultural norm of his society. He then flees from the area to escape capture by the authorities and take refuge in the forest and mountain sound. Along the way, the character also runs into creatures that threaten his existence and therefore is forced to travel only at night to avoid visibility from any†¦show more content†¦This description is enforced in the form of an advice from a more superior being which in this case appears to an angel or deity, hinted by the changeover to a woman’s voice, which is stereotypically accepted as compassionate as well as the use of language which is ph rased in the form of an admonishment: â€Å"hold your horses now, sleep until the sun goes down.† This chorus supports the statement that â€Å"in a bid to escape, one journeys to a refuge that provides security and peace of mind.† In general, the essence of the song is further amplified with specific musical techniques, first of which is the echo effect created by the digital delays in the electric guitars. This effect creates a suspenseful and dramatic scene about to unfold, in reference to the second stanza where the traveller suddenly realises his vulnerability to the strangers as they surround him. Besides that, the choral section that sings the lines â€Å"sleep until the sun goes down† and â€Å"deep into the mountain sound† adds spirit and energy to the song which relates to how physical journeys are always affiliated with movement and energy. It also appears as cheer of encouragement to motivate the traveller to continue his strive for his goal. Furthermore, the incorporation of a duple simple time signature and a drum routine of a â€Å"snare, bass, snare, bass,† shows the prolonging of physical journeys and the fastShow MoreRelatedThe Newest Powered Commercial By Coca Cola Co.1710 Words   |  7 Pages Every professional athlete has his own story which made him as we see him now. Some Journeys were more difficult than others. 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